Early on in David Cronenberg’s Crash (1996), James Spader’s eponymous James is driving Holly Hunter’s Helen to the airport after the latter’s husband has been killed and her car destroyed. As they drive, the sexual tension between the two is visceral, and James pulls at his seatbelt in frustration–almost as though thumbing at the belt… Continue reading The long view: David Cronenberg’s ‘Crash’ and Roe versus Wade